About this blog

This is a window into the weird world of Anglicanism, as experienced on a Cathedral Close. Has anything much happened since Trollope's Barchester Chronicles? You will still see the 'canon in residence' hurrying across to choral Evensong, robes flapping, as the late bell chimes. But look carefully and you will notice he is checking the football score on his iPhone as he runs. This is also a writer's blog. It charts the agony and ecstasy of the novelist's life. And it's a fighter's blog. It charts the agony and ecstasy of the judo mat. Well, the agony, anyway.
Showing posts with label Lichfield Cathedral Choir. Show all posts
Showing posts with label Lichfield Cathedral Choir. Show all posts

Sunday, 6 March 2011

WEEK 10--Singing HMS Pinafore



Last Saturday night I, along with my fellow Ladies Who Lark, sang in a scratch performance of HMS Pinafore. The men's and women's choruses rehearsed in the afternoon, under the baton of Cathy Lamb (sitting crossed legged on front row in the photo). At one point she said 'Just hurl yourself at any note and it will be marvelous!' The entrance requirement for Ladies Who Lark is not intimidatingly high, as I may have mentioned in an earlier blog. But I like to feel we have made great strides. Surely this is the case. Why, at one point during our Monday evening session Cathy was so struck by our musicality that she said, 'You actually sounded like a real choir then!'

The evening was hugely exciting, and qualifies as a genuine first for me. I've always wanted to sing some G&S. As a girl in the 70s one of the highlights of the year was going to the Vale Gilbert and Sullivan Society performance in the Victoria Hall, Tring. The thrill of this occasion for a child growing up in rural Buckinghamshire without a TV cannot be described. To get an equivalent buzz at my age last Saturday's Pinafore would probably have had to be performed off bungee ropes with the entire cast of True Blood. In the nude.

Still, even without naked vampires, it was as I said, hugely exciting. The soloists' parts were taken by members of Lichfield Cathedral Choir, Lichfield Cathedral Chamber Choir and the congregation. Our cathedral organist, Martyn Rawles, (front row, far right), accompanied on the piano. The hoi poloi got to sing, or occasionally mime, as sisters, cousins and aunts, or jolly jack tars. The event was well-attended which is encouraging, as it was a fundraiser for the Choral Foundation. Singers were charged (or possibly fined) £10. But hey, we got to dress up. I love dressing up. I sometimes almost wish I were ordained. That's me in the photo, extreme right, with an exploding red cabbage on my head. I was allowed to join the photo call on the grounds that I'd written the the narrator's part, which was read by our local ham. Sorry, that should have read, our local MP, Michael Fabricant. I would like to take this opportunity to say that the rude bits were all ad libbed.

Thursday, 22 July 2010

The Close is Foreign Country...

...they do things differently there. They speak a foreign language. Even those fluent in Anglican-speak need to get their ear in to understand the local dialect of a Cathedral Close. Firstly there are the bits of technical jargon, often abbreviated to make them even more impenetrable to the outsider. ‘Mag & nunc’, ‘can and dec’, ‘volly’.

Before I go any further, a little disclaimer: I am naught but an ignorant Nonconformist in origins, daughter of the Baptist Manse. It is possible that one or two errors may creep in to this blog. I have already been informed that it would have been the Royalists trying to climb into my back garden via the moat, as the Parliamentarians mainly attacked from the south. Yes, yes. I'm a novelist, not a historian. AN historian, I should say, to head off any more nit-pickers. Pedants seem to thrive in the eccentric conditions of your typical Cathedral Close. They don't watch 'Doctor Who', round here, they watch 'Doctor Whom'. I get a bit fed up with pedanticism, to be honest. (Ooh, nearly got you.)

The terms mentioned above are concerned with the Choral Foundation (music stuff), and mean ‘Magnificat and nunc dimittis’ (the two anthems sung at Choral Evensong, i.e. ‘My soul doth magnify the Lord’ and ‘Lord, now lettest thou thy servant depart in peace’.) ‘Can and dec’ refer to the two opposite sides of the choir aisle, and by extension, the two halves of the choir who sit facing across the chancel (top bit nearest high altar). This is a historic arrangement which enables the lay clerks (choir men) to smirk at each other when the Psalm for the evening contains the verse ‘Neither doth he delight in any man’s legs.’

‘Can’ is the precentor’s side (the precentor being the canon in charge of music stuff) and ‘dec’ the dean’s side (the dean being the one in charge of everything). There is some Latin explanation for can and dec, but you’ll have to google it. (It will ask if you mean Ant and Dec.) If I'm not careful I will end up with parentheses within parentheses, like Russian nesting dolls, and you will get bored and start looking at porn instead. I daresay you can buy an iPhone cathedral phrasebook app to help you navigate your way round the linguistic labyrinth.

A ‘volly’ is an organ ‘voluntary’ played at the close of a service; a strange term my sons think, as it is involuntary from their perspective. ‘I have wasted hours of my life waiting for the voluntary to end,’ lamented my younger son at the end of one (long) piece. He went on to compose his own volly on his computer software, capturing perfectly the tedium and discord of the French style, and the well-known 'False Dawn Syndrome', in which the piece appears to end several times… but no, another movement. This work came to an abrupt stop with the sound of a gun-shot, followed by a final thunderous discord as the organist slumped dead on the keyboard. Or manual, I should say. My sons have not learnt to love the Cathedral Choral Tradition in all the four years we have lived on the Close. But then, other residents of the Close have perhaps not learnt to love their drumming and electric guitars, so fair dinkum.


Tuesday, 20 July 2010

Lichfield Dash 2010

In my last post I described the Close as looking 'like a running track'. And on Saturday 17th July, that's what it became for the Lichfield Cathedral Dash 2010. The Cathedral Close has hosted this ‘Chariots of Fire’ style race for 13 years now. You may remember from the film how Abrahams was the first athlete to complete the Trinity College Great Court Run successfully, getting round the quad and beating the noonday chimes. This was the inspiration behind the Cathedral Dash.

The Dash itself, at 12 noon, is entered by elite athletes, all trying to get round the 430m lap in under the 58 seconds it takes the cathedral clock to chime midday. Before this event there is a range of other races. I probably should have said that the Close looks 'a bit like a running track'. The first few yards are uphill. Then comes a long gentle straight stretch slightly down hill, a sharp steep downhill bend round the Lady Chapel, and then a long 'gentle' uphill straight into the strong wind that whistles round Kilcanon Corner (as it's known), before the final lung-bursting sprint uphill again to the finish line. The race is also run clockwise, which for professional 400m runners must feel like wearing your running spikes on the wrong feet. But maybe there's some old superstition about it being bad luck to run widdershins round a church?

This year I and a team of other Catherines entered the ‘Fun’ relay. ‘Catherines for the Choir’—raising funds, as you will have surmised, for the cathedral choir. The inspiration for this came from the very common sight of our cathedral assistant organist, Cathy Lamb, running around the Close, late for meetings. You will see from the photo of Team Catherine--from left to right: Kathy Coombs, Cathy Lamb, me and Catherine Day--that we decided to run in surplices. (Thanks to the Lichfield Blog http://thelichfieldblog.co.uk/for the pic) A surplice is a church-related garment. It goes over a cassock, and is probably best described as a long white nightie. Imagine a double bed-sheet with hole cut out for your head. Perfect for running in high winds. Simply take a reef in the side and tack.

The canon precentor (in charge of things choral) was not pleased by our choice of running strip. It was 'Bad'. Whether he meant bad as in 'sinful', or bad as in 'a poor choice aerodynamically', he didn't say. He did, however, graciously lend his trainers to Catherine Day who doesn't own a pair of her own.

Our training for the event consisted of intending vaguely to have a trot round the Close to see what it felt like. That would be organised enough for a Fun Relay, surely? But on the day, pressure of time meant that the ‘Fun’ relay was hideously merged with the Club Relay event. This meant we ended up racing against a team from Birchfield Harriers and other hard-core nutters. I mean athletes. Quite what they made of it, I don't know. Maybe they have never been so insulted in their professional lives. Still, we gave it our best shot, cheered on by the crowds that filled the Close. Early on in my lap I came over all strange, and experienced a blur in my peripheral vision. This turned out to be a Birchfield Harrier scorching past me. It was tempting to nip down the steps to the north door and take a short cut through the cathedral. But I pictured the headlines: 'Canon's Wife in Dash Disqualification Shame.'

And of course, we didn't need to cheat. I’m proud to say that of the teams composed entirely of women called Catherine wearing surplices, we came first. In all other respects we came last. But as the Bible says, ‘The first shall be last, and the last first.’ So maybe when Gabriel is dishing out prizes in the heavenly Olympics, Team Catherine will be on the gold medal podium.